Skip to content
VectorPortal

The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell with Marc Almond at Leeds in 1977

Dave Ball, one half of the innovative 1980s electronic music duo Soft Cell, has died at the age of 66.

Together with vocalist Marc Almond, the duo scored a worldwide hit with their version of Gloria Jones' Tainted Love in 1984, and their first record Non-Stop Erotic Cabaret is considered a seminal work of synth-pop.

He later formed the innovative electronic act The Grid, who achieved popular acclaim with 1994's the hit Swamp Thing.

Ball died calmly in his sleep at his home in London on October 22, only a short time after performing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

During that performance, Ball performed in a wheelchair, as he had for the last two years, after a period of ill-health.

"I ended up damage myself quite a bit," he commented in a recent interview. "I broke lower vertebrae in my spine and fractured about multiple ribs and broke my arm."

Following catching pneumonia and suffering from sepsis, he was put in an medically-induced sleep and stayed in hospital for seven months.

Nevertheless, he had been in "a great place mentally" during the warmer months, as he worked on a fresh record with Almond, titled Danceteria, which is scheduled for publication in the coming year.

"He was concentrated and very pleased with the new album that we actually finished only a short time ago," stated the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive year for him, and I take some solace from the knowledge that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "a wonderfully brilliant musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an significant aspect of my existence and for the music you gave me. I wouldn't be where I am without you."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "constant humor" and "steadfast support".

"Forming a partnership with someone is different from being in a group, the bond is very tight," he continued.
"That was the case with us. We went through so many remarkable, incredible, life-affirming experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Brought into the world into a one-parent family in Chester in 1959, Ball was given up for adoption when he was 18 months old.

He was raised in Blackpool with his new family his caregivers, who altered his given name from Paul to David, alongside his younger sister Susan, who was also adopted.

He met Almond at an art college in the late 70s, where they were both learning fine arts. Fuelled by a mutual passion of Northern Soul, they established Soft Cell the same year, and quickly recorded an EP.

Creative Collaboration

The pair were an distinctive pairing: Ball was the reserved musician, bent over his keyboard, while Almond was a charismatic showman, all glitter and makeup; but they achieved a unique musical alchemy.

Ball had developed a interest with synthesizers after watching Kraftwerk appear on BBC program Tomorrow's World, and started to marry dark electronica to the soaring melodies Almond was writing.

Their signature song became the UK's second biggest-selling song of the early 80s, selling millions of units globally. Together with hits by other artists, Human League and electronic acts, it contributed to cleared the way for the synth-pop sound of the 1980s.

The song was also included on their first album, their initial LP, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the album up with the stand-alone single, Torch, which reached at the second position in the following year.

Soft Cell in the studio
The pair were working on fresh songs until just before Ball's death

Career Highlights

Success had its benefits. "I loved being able to purchase my initial property, having money and exploring, which might seem like a Miss World," Ball not long ago told with a publication.

But it also caused problems. "Newfound wealth allowed we could afford newfound drugs to relieve the boredom" of press appearances and TV performances, Ball explained.

"I realize that's a common saying, but it's a truism for a good reason, because it applies for so many musicians."

Amidst the party-filled existence, the pair were also drifting apart, but they managed to produce a follow-up memorable record - the unconventional, edgy and fittingly named The Art Of Falling Apart.

They put out another album, 1984's This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond went on to have a successful solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with ambient pop over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell reunited in 2001, producing the Top 40 record Cruelty Without Beauty.

Following a further break, they returned in 2018, issuing the original singles Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a farewell show at the O2 Arena on September 30, 2018.

Yet, they stayed together, creating their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball lately described the duo's upcoming release as a homage to the New York club scene they frequented while recording their first two albums.

He noted that his time in medical care had influenced the group's music.

"I experienced unusual memories when I was coming and going of the hospital because I was on morphine," he explained to a publication.
"Our latest tracks are a electronic representation of the noises in my mind from those days.
"In parallel, it's about the times me and Marc had in the 1980s."

The last versions were finished only a short time before Ball passed away. It is scheduled for release in the spring of 2026.

About the author

Wanda Coleman

A digital artist and graphic designer passionate about creating accessible vector resources for the creative community.

VectorPortal

Type to search articles.